Alexander Pavlovich Lobanov (Russian: Алекса́ндр Па́влович Лоба́нов; 30 August 1924 – April, 2003) was a Russian outsider artist known particularly for his detailed self-portraits, noted for their frequent inclusion of guns and for their self-aggrandizing nature.\n', '

Born in Mologa in 1924, Lobanov contracted meningitis before five years old and was left deaf and mute. In 1937, his family was relocated from their home town of Mologa to make way for the construction of the Rybinsk Reservoir, forcing him to abandon his studies at the school for the deaf he was attending. A very rebellious and aggressive child, and having lost his access to support and rehabilitation, he became increasingly volatile until his family had him confined to a mental asylum in the nearby city of Yaroslavl in 1945. During the first years of hospitalization, his violence and aggression remained until he became withdrawn and increasingly solitary.\n', '

Following this change in his behavior, Alexander was transferred to a less restrictive hospital in 1953. It was there that he was introduced to drawing by himself. For over fifty years he produced hundreds of works with very little variety in style or content. His tools were consistent, staying with ink, pencil, coloring pencils, and felt-tip pens throughout the years. His subject matter strayed little from his taste for detailed self-portraits, often with himself being portrayed similarly to Russian revolutionary icons, almost always carrying or surrounded by rifles, machine guns, swords, and other various weapons. Hunting dogs and hunted animals, such as birds and deer, were often depicted with Lobanov being accompanied by groups of other hunters. \n', '

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