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Cleotha Staples Biography

Cleotha Staples
Cleotha Staples
  • Born April 11, 1934

First child to Roebuck "Pops" Staples and his wife Oceola Staples, Cleotha was born in Drew, Mississippi in 1934. Two years later, Roebuck moved his family from Mississippi to Chicago. Roebuck and Oceola\'s children, son Pervis and daughters, Mavis and Yvonne, were born in Chicago. Roebuck worked in steel mills and meat packing plants while his family of four children grew up. The family began appearing in Chicago-area churches in 1948. Their first public singing appearance was at the Mount Zion Church, Chicago, where Roebuck\'s brother, the Rev. Chester Staples, was pastor. They signed their first professional contract in 1952. During their early career, they recorded in an acoustic gospel-folk style with various labels: United Records, Vee-Jay Records (their "Uncloudy Day" and "Will the Circle Be Unbroken?" were best sellers), Checker Records, Riverside Records, and then Epic Records in 1965. "Uncloudy Day" was an early influence on Bob Dylan, who said of it in 2015, "It was the most mysterious thing I\'d ever heard... I\'d think about them even at my school desk...Mavis looked to be about the same age as me in her picture (on the cover of "Uncloudy Day")...Her singing just knocked me out...And Mavis was a great singer—deep and mysterious. And even at the young age, I felt that life itself was a mystery."\n', '

The Staples move to Epic saw a run of albums, including the live in-church Freedom Highway album produced by Billy Sherrill; the title track of which was a civil rights movement protest song penned by Pops Staples. It was on Epic that the Staple Singers developed a style more accessible to mainstream audiences, with "Why (Am I Treated So Bad)" and "For What It\'s Worth" (Stephen Stills) in 1967. In 1968, the Staple Singers signed to Stax Records and released two albums with Steve Cropper—Soul Folk in Action and We\'ll Get Over, Pervis returning for them. After Cropper left Stax, Al Bell produced their recordings, conducting the rhythm sessions at the famed Muscle Shoals Sound Studio and cutting the overdubs himself at Memphis\'s Ardent Studios, moving in a more funk and soul direction.\n', '

The Staple Singers\' first Stax hit was "Heavy Makes You Happy (Sha-Na-Boom-Boom)" in early 1971. Their late 1971 recording of "Respect Yourself", written by Luther Ingram and Mack Rice, peaked at No. 2 on the Billboard R&B chart and No. 12 on the Billboard Hot 100. Both hits sold over one million copies and were each awarded a gold disc by the RIAA. The song\'s theme of self-empowerment had universal appeal, released in the period immediately following the intense American civil rights movement of the 1960s. In 1972, "I\'ll Take You There" topped both Billboard charts. In 1973, "If You\'re Ready (Come Go With Me)" reached No. 9 on the Hot 100 and No. 1 on the R&B chart.\n', '


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