The foundation of Harrison\'s music comes from his lifelong participation in New Orleans culture. He started in New Orleans secondline culture and studied New Orleans secret tribal culture under his father, Big Chief Donald Harrison Sr.. Harrison Jr. is currently the Chief of Congo Square in Afro-New Orleans Culture. He studied at the Berklee College of Music. As a professional musician he worked with Roy Haynes and Jack McDuff before joining Art Blakey and the Jazz Messengers with Terence Blanchard and recorded albums in a quintet until 1989. Two years later Harrison released a tribute album to Blakey. This was followed by an album that reached into Harrison\'s New Orleans heritage with guest appearances by Dr. John and Cyrus Chestnut and chants by the Guardians of the Flame Mardi Gras Indians. He devoted half the album Nouveau Swing (1997) to mixing the swing beat of modern acoustic jazz with modern dance music and half to mixing the swing beat with Caribbean-influenced music. On the next album his experiments continued by mixing modern jazz\'s swing beat with hip hop, Latin music, R&B, and smooth jazz.\n', 'His albums, 3D Vols. I, II, and III, present him in three different musical genres. On Vol. I he writes, plays, and produces smooth jazz and R&B style. On Vol. II he writes, produces and plays in the classic jazz style. On Vol. III he writes plays and produces hip hop.\n', 'His group, Donald Harrison Electric Band, has recorded popular radio hits and has charted in the top ten of Billboard magazine. He performs as a producer, singer, and rapper in traditional New Orleans jazz and hip hop genres with his group, The New Sounds of Mardi Gras. The group, which has recorded two albums, was started in 2001 and has made appearances worldwide. Harrison is the Big Chief of the Congo Nation Afro-New Orleans Cultural Group, which keeps alive the secret traditions of Congo Square.\n', '

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