Born and raised in Cambridge, Massachusetts, Higgins initially studied privately with his mother. He started his professional career in Chicago, Illinois, while studying at the Northwestern University School of Music. An elegant and sophisticated pianist, his encyclopedic harmonic approach and wide range of his repertory made him one of the most distinctive jazz pianists to come out of Chicago, gaining the respect of local and visiting musicians for his notable mastery of the instrument. Higgins also had the unusual ability to sound equally persuasive in a broad span of music, whether he was playing traditional swing, exciting bebop or reflexive ballads, providing the tone and stylistic flavor of each style, both as soloist and accompanist.\n', '

For more than two decades Higgins worked at some of Chicago\'s most prestigious jazz clubs, including the Brass Rail, Preview Lounge, Blue Note, Cloister Inn and Jazz, Ltd. His longest and most memorable tenure was at the long-gone London House, where he led his jazz trio from the late 1950s to the late 1960s, playing opposite jazz stars of this period, including Cannonball Adderley, Bill Evans, Erroll Garner, Stan Getz, Dizzy Gillespie, Wes Montgomery, Oscar Peterson and George Shearing, among others. Later, Higgins said the opportunities to play jazz music with Coleman Hawkins and Oscar Peterson were unforgettable moments. Higgins spent his time at the London House Restaurant with bassist Richard Evans and drummer Marshall Thompson. Higgins also worked for Chess Records as a producer.\n', '

During his stay in Chicago, Higgins also recorded a significant number of albums under his auspices and many more as a sideman with a wide variety of musicians, ranging in style from tenor saxophonists Hawkins to Sonny Stitt to Wayne Shorter; trumpeters Bobby Lewis to Harry Edison to Lee Morgan and Freddie Hubbard; and trombonists Jack Teagarden to Al Grey. His versatility was captured on stage and records, backing up singers and leading his own projects as both pianist and orchestrator, working in every jazz circle from dixieland to modal styles. Although he opted to decline the offer, Higgins was asked at one point by Art Blakey to join the seminal hard bop quintet, The Jazz Messengers.\n', '

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