In 2019, Sony Pictures Television adapted Deadly Class into a television series of the same name, for which Remender served as a showrunner and lead writer.
Remender started out in animation, working on such films as The Iron Giant, Anastasia, Titan A.E. and The Adventures of Rocky and Bullwinkle. In 1998, he teamed up with fellow animator Harper Jaten to create the absurdist humor series Captain Dingleberry, which, after four issues of self-publishing, was picked up by SLG Publishing. Remender contributed several short strips to Kieron Dwyer's anthology series Lowest Comic Denominator, and the pair went on to co-create Black Heart Billy, again published by SLG Publishing. Black Heart Billy was canceled after two issues in 2000 and collected/finished by AiT/PlanetLar in 2002 to coincide with the release of Remender's first solo writing work, the graphic novel Doll and Creature.
Remender continued working in animation, co-creating and directing the Flash animated series Swing Town for Wild Brain Animation. His other work of the period includes inking assignments for Marvel's The Avengers, art for several issues of Tales of the Teenage Mutant Ninja Turtles and the comic book adaptation of Bruce Campbell's Man with the Screaming Brain as well as short comics and album covers for Fat Wreck Chords, a Bay Area punk label. During this time, he also taught comics, animation and storyboarding at the Academy of Art University. In 2005, Remender began working primarily with Image, launching several creator-owned titles such as Sea of Red, Strange Girl and Fear Agent. Later work for Image includes horror series Sorrow, co-written with Seth Peck, and Crawl Space, an anthology series for various works by Remender and his long-time collaborator Kieron Dwyer that was discontinued after its initial storyline XXXombies.

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