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Tanner Petulla Biography

Tanner Petulla
Tanner Petulla
  • Born April 13, 1993

Petulla was signed to Datsik's label Firepower Records in 2012, while also releasing through other labels such as Rottun Recordings and OWSLA. Petulla has collaborated with some big-name artists such as Datsik, Skrillex, Borgore, and Suicideboys, and also had Liquid Stranger remix his song "Ill Shit". In 2017, Petulla launched his own record label, clothes shop, and artist collective known as Shred Collective. He also produces and performs hip-hop under the name Terror Reid, and is best known for his song "Uppercuts".
Petulla began producing music while in high school, uploading original songs as well as remixes of Far East Movement and Timbaland to his SoundCloud page. He gained recognition when he released songs on labels such as Ultragore Recordings and Tuff Love Dubs. In an interview, he said "I basically started when I was 16. I was in a few bands before that; I was a drummer and a guitar player. I was a huge metal head and I loved rap like Mac Dre and Andre Nickatina. You could make electronic music by yourself, so that really attracted me towards it and made me want to do my own thing". He said "As soon as I picked up a guitar I knew I wanted to do music. I have always done art, whether it’s music or drawing, so it all came pretty natural".
Regarded as 'the unsung hero of underground bass culture', Petulla has been DJing across the US since the age of 17. He performed across the US and received support from genre pioneers DATSIK and Downlink. He has, ever since, become known for ignoring trends and cutting his own path with ripping, guttural synths and a sprinkling of melody. He has been in the bass scene since 2010. A regular performer at EDC, Petulla has collaborated with some of the biggest names in the scene such as Skrillex, Datsik, and Borgore. He regularly uses heavy bass and β€œgnarly” synths in his music. Petulla's style of producing/DJing has evolved through the years from 'massive dubstep tracks to a diverse assortment of genres which culminate to an ethereal, trap-light sound that still contains hard-hitting dubstep roots'. Recently, he's been dabbing into more of an experimental style of reverb and bass while assimilating a variety of beats.


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