Wendy Whelan (/ˈhwiːlən/; born May 7, 1967) is an American ballet dancer. She was principal dancer with the New York City Ballet and performed with the company for 30 years, and toured in the U.S., Europe, and Asia. Whelan has also been an influential guest artist with Morphoses/The Wheeldon Company. In 2019, Whelan was named Associate Artistic Director of New York City Ballet.
Whelan was born and raised in Louisville, Kentucky, She started ballet at age three. After performing as a mouse in The Nutcracker with the Louisville Ballet, she began formal training, when she was eight, at the Louisville Ballet Academy. At age 12, she was diagnosed with severe scoliosis, and had to wear a brace. In 1981, after auditioning before Suzanne Farrell, she received a scholarship to the summer intensive program at the School of American Ballet. She was asked to stay in New York and train, but chose to return to Kentucky and study at the J. Graham Brown School, a public high school, because she was only 14. The following year, she re-auditioned for SAB's summer course, this time before Karin von Aroldingen, was accepted again, and chose to remain in New York afterward. Whelan encountered George Balanchine only once. On the day she danced one of his works for the first time, as a corps member in Western Symphony at an SAB showcase, he died.
Whelan joined the NYCB in 1984 as an apprentice and entered the company's corps de ballet in January 1986. She was promoted to soloist in 1989, and to principal dancer in 1991. She had danced lead roles in George Balanchine's works, and worked with Jerome Robbins. In 2001, Whelan worked with Christopher Wheeldon in Polyphonia, which became Wheeldon's breakthrough ballet, and led to Whelan "beginning to find herself as a dancer." Whelan went on to originate in 12 more of Wheeldon's ballets, notably Liturgy and After the Rain. Whelan is also a frequent collaborator of Alexei Ratmansky, in works such as Russian Seasons and Concerto DSCH. Other choreographers she worked with include Twyla Tharp, Wayne McGregor and William Forsythe. She created roles in over 40 ballets, and is believed to have worked with more choreographers than any dancer in the company's history.

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