Butterfly McQueen ✝

Often typecast as a maid, she said: "I didn't mind playing a maid the first time, because I thought that was how you got into the business. But after I did the same thing over and over, I resented it. I didn't mind being funny, but I didn't like being stupid." She continued as an actress in film in the 1940s, and then moved to television acting in the 1950s. She won a 1980 Daytime Emmy Award for her performance in the ABC Afterschool Special episode "Seven Wishes of a Rich Kid". Born January 8, 1911[citation needed] in Tampa, Florida, Thelma McQueen was the daughter of Wallace McQueen, a stevedore/dockworker, and Mary McQueen, who worked as a maid. After her parents separated, Thelma lived with her mother in Augusta, Georgia, where she was educated by nuns at a convent. She had planned to become a nurse until a high-school teacher suggested that she try acting. McQueen initially studied with Janet Collins and danced with the Venezuela Jones Negro Youth Group. Around this time she acquired the nickname "Butterfly" – a tribute to her constantly moving hands – for her performance of the Butterfly Ballet in a production of A Midsummer Night's Dream. Disliking her birth name, she later legally changed it to Butterfly McQueen. She performed with the dance troupe of Katherine Dunham before making her professional debut in George Abbott's Brown Sugar. McQueen was appearing as a student in the Broadway comedy What a Life in 1938 when she was spotted by Kay Brown, talent scout for David O. Selznick, then in pre-production for Gone With the Wind (eventually released in 1939). Brown recommended that McQueen audition for the film. After Selznick saw her screen test, he never considered anyone else and McQueen was cast in the role that would become her most identifiable – "Prissy", a simple-minded house maid. She uttered the famous words: "Oh, Miss Scarlett! I don't know nothin' 'bout birthin' babies!" Her distinctive, high-pitched voice was described by a critic as "the itsy-little voice fading over the far horizon of comprehension". While the role is well known to audiences, McQueen did not enjoy playing the part and felt it was demeaning to African-Americans.