Larry Graham⭐ Legendary · 2 collectors
Graphmasters · Celebrity

Larry Graham

Musician · WriterBorn Aug 14, 1946
2collectors met Larry
Legendaryrarity
2Graphmasters lists
5signed on eBay now
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How rare

2OF 129
Legendary: only 2 of 129 collectors have met Larry.
Most met on that list: Ozzy Osbourne, 30 collectors.
Legendary 1–2Rare 3–5Uncommon 6–15Common 16+

Sly & The Family Stone castmates

Collectors per person
Sly Stone
4 collectors
Adam Veaner
0 collectors
Andy Newmark
0 collectors
Bill Lordan
0 collectors
Cynthia Robinson
0 collectors
Dennis Marcellino
0 collectors
Elva Mouton
0 collectors
Freddie Stone
0 collectors
Gerry Gibson
0 collectors
Greg Errico
0 collectors
Jerry Martini
0 collectors
Jim Strassburg
0 collectors
Mary McCreary
0 collectors
Max Kerr
0 collectors
Pat Rizzo
0 collectors
Rose Stone
0 collectors

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Booker T. Jones
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Frank Beard
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Steve Stevens
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Jon Anderson
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Carlos Santana
2 of 2 of Larry's collectors
Axl Rose
2 of 2 of Larry's collectors
Colin Greenwood
2 of 2 of Larry's collectors
Mike Dirnt
2 of 2 of Larry's collectors

About Larry

Larry Graham Jr. (born August 14, 1946) is an American bass guitar player, both with the psychedelic soul/funk band Sly and the Family Stone, and as the founder and frontman of Graham Central Station. He is credited with the invention of the slapping technique, which radically expanded the tonal palette of the bass, although he himself refers to the technique as "thumpin\' and pluckin\' ".\n', ' Born in Beaumont, Texas, to successful musicians, Graham played bass in the highly successful and influential funk band Sly and the Family Stone from 1966 to 1972. It is said that he pioneered the art of slap-pop playing on the electric bass, in part to provide percussive and rhythmic elements in addition to the notes of the bass line when his mother\'s band lacked a drummer; the slap of the thumb being used to emulate a bass drum and the pop of the index or middle finger as a snare drum. This style has become archetypal of modern funk. Slap-pop playing couples a percussive thumb-slapping technique of the lower strings with an aggressive finger-snap of the higher strings, often in rhythmic alternation. The slap and pop technique incorporates a large ratio of muted or "dead" notes to normal notes, which adds to the rhythmic effect.\n', ' This "slap" bass style was later used by such artists as Bootsy Collins, Les Claypool, Louis Johnson, Mark King, Keni Burke, Flea, Victor Wooten, Jonas Hellborg, Kim Clarke of Defunkt, Marcus Miller, Stanley Clarke, and John Norwood Fisher of Fishbone.\n', '

Known for

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