
Graphmasters · Celebrity
Yvonne De Carlo ✝
Sephora in The Ten Commandments
Actor · Dancer · MusicianBorn Sep 1, 1922Died Jan 8, 2007
0collectors met Yvonne
Commonrarity
1Graphmasters list
1signed on eBay now
How rare
0OF 143
No collector has logged Yvonne yet.
#1 most met of the 25 on The Ten Commandments — Cast.
Most met on that list: Anne Baxter, 0 collectors.
Legendary 1–2Rare 3–5Uncommon 6–15Common 16+
Collectors who've met Yvonne
0 collectorsOn 1 Graphmasters list
One meet counts on every listThe Ten Commandments castmates
Collectors per personAbout Yvonne
Margaret Yvonne Middleton (September 1, 1922 – January 8, 2007), known professionally as Yvonne De Carlo, was a Canadian-American actress, dancer and singer. She became a Hollywood film star in the 1940s and 1950s, made several recordings, and later acted on television and stage.
Born in Vancouver, British Columbia, De Carlo was enrolled by her mother in a local dance school when she was three. By the early 1940s, she and her mother had moved to Los Angeles, where De Carlo participated in beauty contests and worked as a dancer in nightclubs. She began working in motion pictures in 1941, in short subjects. She sang "The Lamp of Memory" in a three-minute Soundies musical and in 1942 signed a three-year contract with Paramount Pictures, where she was given uncredited bit parts in important films. Her first lead was for independent producer E. B. Derr in the James Fenimore Cooper adventure Deerslayer in 1943.
She obtained her breakthrough role in Salome, Where She Danced (1945), a Universal Pictures release produced by Walter Wanger, who described her as "the most beautiful girl in the world." The film's publicity and success turned her into a star, and she signed a five-year contract with Universal. Universal starred her in its lavish Technicolor productions, such as Frontier Gal (1945), Song of Scheherazade (1947), and Slave Girl (1947). Cameramen voted her "Queen of Technicolor" three years in a row. Tired of being typecast as exotic women, she made her first serious dramatic performances in two film noirs, Brute Force (1947) and Criss Cross (1949).
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