DROPS
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Autographed edition. Author: Thomas F. Madigan.
Autographed edition. Author: Bostonian Society.
Autographed edition. Author: Frederick Startridge Ellis.
Autographed edition. Author: John Frere.
Autographed edition. Author: John Gray Bell.
Autographed edition. Author: Sean Brock.
Autographed edition. Author: Samuel Leigh Sotheby.
Autographed edition. Authors: Alfred Morrison, Alphonse Wyatt Thibaudeau.
Shakespeare's Will, Copied From the Original in the Prerogative Court, Preserving the Interlineations, and Facsimiles of the Three Autographs of th Po
Autographed edition. Author: J. O. 1820-1889 Halliwell-Phillipps.
Autographed edition. Author: Dav Pilkey.
Autographed edition. Author: Roger Bennett.
Autographed edition. Authors: Brandon Sanderson, Jody Lynn Nye, L. Ron Hubbard.
Autographed edition. Author: Sherrilyn Kenyon.
Unlovely Exclusive LP (Autographed)
A Newbury Comics exclusive color vinyl pressing. Record cover is signed by the band. “A rock band in a folk suit,” The Ballroom Thieves – lead singer and guitarist Martin Earley, cellist Calin Peters and percussionist Devin Mauch - have been releasing their own fresh blend of spirited blues, folk and rock since 2012. With 2016’s self-released album Deadeye, the band earned their own spot among celebrated music makers and is nominated for 5 Boston Music Awards, including Artist Of The Year, Album Of The Year, Live Artist Of The Year, Folk Artist Of The Year and Male Vocalist for Earley. The band took home three awards – Live Artist Of The Year, Americana Artist of the Year and Folk Artist of the Year. The band has spent the last several years in a sustained state of touring that took them across the country and to venerable stages like the Newport Folk Festival, Boston Calling, Calgary Folk Festival and Milwaukee’s Summerfest. Now, after some down time in Maine, clearing their heads, The Ballroom Thieves are back with an album of political songs and a new member in multi-instrumentalist Ariel Bernstein. The new album 'Unlovely' will be released in February 2020.
Autographed edition. Author: Edward John Long Scott.
Autographed edition. Author: Susan Fenimore Cooper.
Autographed edition. Author: Rick Bragg.
Back To Blues Volume 2 CD (Autographed)
Purchase includes postcard signed by the band. Black Stone Cherry return with another riotous, rip-roaring tribute to their blues heroes on ‘Black To Blues Volume 2,’ which will be released on October 18th via Mascot Records. The first installment of the series, ‘Black To Blues’, was released in 2017 and crashed straight into #1 in the Billboard Blues Chart with a wave of praise from both the press and fans. Following the reaction to the release BSC guitarist/vocalist, Chris Robertson, said; “We could have never dreamed of the reaction we got from “Black to Blues”. It was amazing to have such a positive reaction to our take on some of our biggest influences in music. We can’t wait for everyone to hear and feel how much fun we had recording this project.” Produced by the band themselves at Monocle Studios in Sulphur Well, KY, the EP kicks off with Robertson introducing friend of the band Yates McKendree on the organ as they launch into Freddie King’s ‘Big Legged Woman’. It’s a wild and raucous track that has BSC’s unmistakable groove woven throughout. The same goes for their unrelenting take on Howlin’ Wolf’s ‘Down In The Bottom’. Talking about King and Wolf, guitarist Ben Wells says; “Those are some of our absolute favorites. We always identify with those guys ‘cause they had grooves and riffs like we would put in our tunes. So we are naturally drawn to that.” This is where the link between the blues and Black Stone Cherry weaves in so perfectly. “Muddy Waters, Freddie King,
Autographed edition. Author: Charles Frazier.
Live In Stereo CD (Autographed)
Purchase includes signed CD booklet. Continuing what has been an amazing year for Bananarama, the band release a live album of their recent intimate ‘In Stereo’ album launch shows ‘An Evening With Bananarama’. The album was recorded at Manchester’s Gorilla Club and features some of the bands favourite tracks from ‘In Stereo’ as well as some gems from previous albums and exclusive live recordings of ‘Love Don’t Live Here’, ‘Love Comes’, ‘Feel For You’, ‘Moving On’ plus a special rendition of ‘Venus’.
Autographed edition. Author: Stanislaus Vincent Henkels.
Autographed edition. Author: Brad Meltzer.
The Things We Can't Stop CD (Autographed)
Purchase includes signed CD booklet. With two gold albums and over one million records sold in the US alone, Jacksonville, Florida's COLD are amongst the most relevant and creatively soaring alternative rock artists of our time. 13 Ways To Bleed On Stage (2000), Year Of The Spider (2003), A Different Kind Of Pain (2005) and Superfiction (2011) are true milestones of a unique career. The Things We Can't Stop is a wonderfully varied and gripping entry in the bands discography. From the anti-bullying anthem ‘Shine‘ to the driving, hard grooving force that is ‘Without You‘ or the unforgettable beautiful ‘Quiet Now‘, COLD’s new album shimmers in timeless colors.
Autographed edition. Author: Melanie Benjamin.
Causeries d'Un Curieux. Tome 3: Variétés d'Histoire Et d'Art Tirées d'Un Cabinet d'Autographes Et de Dessins
Autographed edition. Author: Feuillet de Conches-F S.
A Newbury Comics exclusive color vinyl pressing. Purchase includes 12"x12" poster signed by the band. Night Riots’ album New State Of Mind follows on the heels of their 2016 album Love Gloom and the previous year's Howl EP. The new 10 track album from the California quintet - Travis Hawley (vocals), Nick Fotinakes (guitar), Matt DePauw (guitar), Mikel van Kranenburg (bass), and Rico Rodriguez (drums) - features the recently released singles “Talk About It”, "Leave Us Alone, and "Tokyo Diamond Eyes".
The Center Won't Hold CD (Autographed)
Purchase includes 4.5" x 4.5" postcard signed by Corin, Carrie, and Janet. “How does brokenness walk? Or move through the world?” says guitarist/vocalist Carrie Brownstein about The Center Won’t Hold, Sleater-Kinney’s tenth studio album. “We’re always mixing the personal and the political but on this record, despite obviously thinking so much about politics, we were really thinking about the person – ourselves or versions of ourselves or iterations of depression or loneliness – in the middle of the chaos.” The Center Won’t Hold is Sleater-Kinney’s midnight record on the doomsday clock. After twenty-five years of legendary collaboration, rock’n’roll giants Brownstein, Corin Tucker, and Janet Weiss rise to meet the moment by digging deeper and sounding bigger than we’ve heard them yet. Here are intimate battle cries. Here are shattered songs for the shattered survivors. “The Center Won’t Hold drops you into the world of catastrophe that touches on the election,” says guitarist/vocalist Tucker of the title track. “We’re not taking it easy on the audience. That song is meant to be really heavy and dark. And almost like a mission statement, at the end of that song, it’s like we’re finding our way out of that space by becoming a rock band.”
Autographed edition. Authors: Eric Ross, Evin Krehbiel.
Jaime CD (Autographed)
Purchase includes CD booklet signed by Brittany Howard. Brittany Howard – lead vocalist/guitarist for the chart-topping, GRAMMY®-winning band Alabama Shakes – will release her debut solo album, Jaime, featuring the recently shared leadoff track, “History Repeats.” Howard recorded Jaime after a cross country drive that took her from Nashville to a small house in Topanga, CA – a rustic Los Angeles county town wedged between the mountains and the beach. She titled the album after her sister, who taught her to play the piano and write poetry, and who died of cancer when they were still teenagers. “The title is in memoriam, and she definitely did shape me as a human being,” says Brittany Howard. “But, the record is not about her. It’s about me. I’m pretty candid about myself and who I am and what I believe. Which is why I needed to do it on my own.” While Howard admits it was daunting, stepping out alone from her work with Alabama Shakes and revealing so much of herself, it was a necessary step. “I turned 30 and I was like, ‘What do I want the rest of my life to look like?’” she recalls. “Do I want to play the same songs until I’m 50 and then retire, or do I do something that’s scarier for me? Do I want people to understand me and know me, do I want to tell them my story? I’m very private, but my favorite work is when people are being honest and really doing themselves.”
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